Weinen, Klagen, Sorgen, Zagen (Weeping, lamenting, worrying, fearing), BWV 12, is a church to form the Crucifixus movement of the Credo in his Mass in B minor. Franz Liszt based extended keyboard compositions on the same material. This paper presents an analytical view of Liszt’s Variations on J. S. Bach’s Weinen, Klagen, Sorgen, Zagen motive, and in particular examines. Here you will find a variety of high quality sheet music for Organ for beginners and advanced players! Order fast & secure, even without regist.

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Variationen ├╝ber das Motiv von Bach, S.180 (Liszt, Franz)

The voice enters with the same motif. The form of the aria follows the bar form of the chorale instead of the usual da capo form. Retrieved 12 August Franck contends that this is true not only for the disciples who were addressed directly, but for every Christian. Sigiswald Kuijken La Petite Bande.

Between Trinity and Advent: He composed Weinen, Klagen, Sorgen, Zagen as the second cantata in the series, on a text probably written by court poet Salomon Franck. Was Liszh tut, das ist wohlgetan. His predecessor, Johan Kuhnau, had already noted that “visitors and distinguished gentlemen certainly want to hear something fine in the principal churches. klagenn


Weinen, Klagen, Sorgen, Zagen, BWV 12 – Wikipedia

Update Required To play the media you will llszt to either update your browser to a recent version or update your Flash plugin. Bach reworked the first section of the first chorus to form the Crucifixus movement of the Credo in his Mass in B minor, the central movement of that work, three decades later.

Bach was appointed Konzertmeister in Weimar in the spring ofa position that called for the performance of a church cantata each month. The text is also repeated in the middle section, as Bach was still experimenting with the da capo form. Von Gott poetisch-musikalisch reden: Bach first performed the cantata in the Weimar court chapel on 22 Weinsnthen performed it in Leipzig in his first year as Thomaskantor on 30 April Church cantata by J.

The table entries are excerpted from the list of recordings from the selection on the Bach-Cantatas website.

Franz Liszt: Prelude after J. S. Bach “Cantata Weinen Klagen Sorgen Zagen”

A klagsn frames part A, but also accompanies the vocal entry. Kreuz und Kronen sind verbunden. In the second aria, ” Ich folge Christo nach ” I follow after Christ[1] the decision to follow Jesus is made. Other recordings available for download. In the following table of the movements, the scoring follows the Neue Bach-Ausgabe.


By using this site, you agree to the Terms klageh Use and Privacy Policy. The middle section of the line about the Christians ” die das Zeichen Jesu tragen ” that bear the marks of Jesus[1] first marked “un poco allegro”, is in a contrasting mood.

Retrieved 25 April The complete music for solo piano, Vol. As concertmaster, he assumed principal responsibility for composing new works, specifically cantatas for the Schlosskirche palace churchon a monthly schedule. Klqgen music illustrates the union of the four contrasting elements all beginning with K: The site is also available in several languages.

February Total duration: BWVfor Pentecost. Retrieved 16 August Bach cantata List of Bach cantatas Discography: Philippe Herreweghe Collegium Vocale Gent.

Kampf is sung as a melisma with a trill in measure 15, the preciousness of the jewel appears as a trill in the voice or the accompaniment. Chorale cantatas between Trinity and Easter: Masaaki Suzuki Bach Collegium Japan.