An introduction to Sofia Gubaidulina’s violin concerto Offertorium, which we perform on Wednesday 6 November as part of Southbank Centre’s. SOFIA GUBAIDULINA – Offertorium ()* – Violinkonzert · Violin Concerto – Hommage à T. S. Eliot – Gidon Kremer* – Boston Symphony Orchestra* – Charles . The leading record label for classical music in Scandinavia. Get information on artists, composers and new releases and buy CDs & SACDs from the online.
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A recording, made by Kremer in Boston in Apriltook the piece around the globe. Gubaidulina has offered no verbai programme for the Offertoriumso far as I know, but she has said in an interview in The Musical Times: The name of Sofia Gubaidulina has been heard more and more often gubaidulima the West gubaiduliina the last few years, often enough bracketed with those of her close contemporaries Alfred Schittke and Edison Denisov.
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The final section is a ofgertorium string chorale that resembles a Russian Orthodox hymn. This article includes a list of referencesrelated reading or external linksbut its sources remain unclear because it lacks inline citations. Gramophone products and those of specially selected partners from the world of music.
Please help to improve ovfertorium article by introducing more precise citations. The structure, after fewer hearings than the work deserves, seems diffuse at one or two points, the violinistic gestures too incessant, but of Gubaidulina’s striking personal vision and urgent eloquence there can be no doubt.
Home Explore News Introducing: Light and darkness, ”the fire and the rose”, are the central images of the texts Gubaidulina has chosen, and her musical imagery, her use of instruments even, match those images with precise poetic insight. The all-time greats Read about the artists who changed the world of classical music.
To find a composer in whom simplicity and complexity are not opposites but part of a spectrum, both servants of a disciplined but impassioned expressiveness, is a welcome experience, and a richly rewarding one. The ‘reconstructed’ theme is in fact as remote from Bach and from serialism as one could imagine; a very long, gravely sonorous and memorably beautiful melody, of clearly religious chant-like cast.
I may be wide of the mark, but some such reading seems implied by the expressive intensity of the music.
GUBAIDULINA Offertorium / Kremer, Dutoit – 1 CD / Download – Buy Now
Beneath this, the harps and piano reconstruct the theme note by note, in reverse retrogradea process that concludes ogfertorium at the very end with a complete statement from the solo violin. Offertorium, dating from the first years of her international breakthough, may be her greatest achievement. Offertorium was first performed in in Vienna by Kremer and the ORF Symphony Orchestra gubaidullina, directed by Leif Segerstamand was immediately lauded for its striking beauty. Sofia Gubaidulina’s Offertorium Details Published: Composition Artist Credits Offertorium.
But gubaidulkna as its title alludes both to the Bachian model and to the Mass, so ‘conversion’ seems to refer both to a translation of Bach and Webern, in whose manner the ‘Royal Theme’ is first stated into Russian idiom, and to some kffertorium process for which that transformation could be a metaphor. It was dedicated to Gidon Kremerwho in touring with it around the world brought Gubaidulina to international attention. On Wednesday 6 Novemberwe perform her violin concerto Offertoriumwhich is considered by many to be her greatest musical achievement.
She composed it for Gidon Kremer, who gave the first performance, Leif Segerstam conducting, in Vienna on May 30, ; the final version, adding revisions of and to the original score, followed in London in Novemberagain with Kremer as soloist, now with Gennady Rozhdestvensky on the podium.
The prospects offertlrium a performance of Offertorium were tenuous, however: In fact, Gubaidulina ofcertorium unofficially criticized by Tikhon Khrennikov for her heavy use of religion as inspiration. Here there is no hint of diffuseness, the sense of imaginative and emotional unity is very strong, and the line of the piece is unbroken.
After the third variation, the original theme is hard to make offertoriuk.
Introducing: Sofia Gubaidulina’s Offertorium
The soloist then enters, beginning a series of variations, each of which removes one note from the beginning and end of the theme. Only three of its seven movements actually use Eliot’s words from the Four Quartetssung in English but the whole work is concentrated upon his dark meditations on sin and redemption.
Ghbaidulina was thirty by the time she produced her first notable piece, her now much-performed Chaconne for piano, and nearly sixty before her name was known at all outside Russia. Today she is one of the biggest names in contemporary classical composition. While this was happening, Gubaidulina attempted to have the chorale from Offertorium used in a film The Great Samoyed by Arkady Kordon for which she was scoring the music, but this was rejected by the director.
Gubaidulina was worried that her piece would never be performed by Kremer, who instead chose to stay gubaiduluna the West. Skip to main content.
Since then, she has more than made up, producing, in startlingly rapid succession, scores that confront the conventional with the exotic, even bizarre, and that dare unhesitatingly to take on weighty matters of life and belief.
The apparent musical ‘programme’ of the work from Bach back to Bach by way of quasi-serial procedures is also an understatement, I believe, both of its objectives and its achievement. Gubaidulina Offertorium; Hommage Offertorium.
Introducing: Sofia Gubaidulina’s Offertorium | News | Explore
It was a good place for the world to start discovering the composer. Like many of her other pieces, Offertorium contains religious elements.
Even the name is a reference to that section of a Mass performed immediately after the Credo that is sung while the priest is offering up gubaidlina prepared bread and wine.